Martinis and fantastic breasts. A wild wedding hangover. Pink angora and instructing six women / to write tercets on snow. In lesbian love-poems, conversations, intimate jokes from a hundred parties, five prisons, and three beloved bars, Jill McDonough's second book tells where we live, and how: each day fresh with the gift of it. Fierce/nose-sting of tears, quick breath out of nowhere. Often frankly autobiographical, her poems are also peopled with others' stories. Some are familiar – Cary Grant and Charles Darwin, Sappho and Hildegard von Bingen. Others we come to know: prison inmates Julie and Andrea, friends comforting in kitchens or riotous in the yard, the little Chinese lady from the Lucky Star kiosk. McDonough is honest with them: stitches their actual words into her poems, understands their motives and her own. This poetry is vivid with reality, even where the subjects are pictures: Mary in an illuminated Annunciation suspicious / in her lapis robes, her double chin doubting, perhaps / one eyebrow raised; or a small, unseemly Venus, hair in pearls holding the dead Adonis and furious at death and grief. Above all there are poems of love and desire – I, Jill McDonough, have something to declare: je t'aime, je t'adore, Josey – ardent, funny, and erotically charged: For better or worse. For root canal, for laughing on the high speed ferry to the cape. My mouth on your neck, say. My hand on your emerald-cut calf.