Literature & literary studies:

The Unreturning

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Description

'I want to return to my home.' A Northern British coastal town. Three young men are coming home from war. Their stories, set at different times over a hundred years, are beautifully interwoven in Anna Jordan's The Unreturning, a play that explores the profound effect that war has on young people's lives, and asks – what does coming home really mean? What is home? And when experience has shattered you into a million pieces, will home help to put you together again, or treat you as an ugly truth it does not want to confront? The Unreturning was premiered at Theatre Royal Plymouth in September 2018, in a co-production between Frantic Assembly and Theatre Royal Plymouth, before touring the UK. 'A moving meditation on war and masculinity... Jordan paints a complex picture of masculinity, its crises, its toxicity and its deepest feelings... the writing is sensitive' — The Arts Desk 'A feverishly intense drama... visceral and insightful' — Time Out 'An incredibly moving show, full of beautifully interwoven stories which are sensitively told, hard-hitting and immensely poignant at the same time... there is so much for students to choose from for a scripted exam performance, and there are beautiful monologues from each character to explore' — Drama & Theatre Magazine 'Brutally and beautifully honest' — Broadway World 'Anna Jordan's poetic piece interweaves three stories, flicking back and forth in history as timeless threads are followed, linked and knotted' — British Theatre Guide 'An absorbing, thought-provoking piece of new writing... [Jordan] creates dialogue and especially soliloquies of shuddering power' — The Reviews Hub

Author Biography:

Anna Jordan's play Yen won the 2013 Bruntwood Prize for Playwriting. Her other plays include: We Anchor in Hope (Bunker Theatre, London, 2019); The Unreturning (Frantic Assembly & Theatre Royal Plymouth, 2018); Pop Music (Paines Plough & Birmingham Repertory Theatre, 2018); Chicken Shop (Park Theatre, 2014); Freak (Assembly Rooms, Edinburgh, 2014); Closer To God (Best Play and Audience Award at the Offcut Festival, 2009) and Just For Fun – Totally Random (Best New Writing at the Lost One Act Festival, 2009). As a director her work has included Crystal Springs (Eureka, San Francisco, 2014) and Tomorrow I'll Be Happy by Jonathan Harvey at the National Theatre Shed as part of the 2013 Connections Festival. She is Artistic Director of Without a Paddle Theatre, Associate Director at Theatre503, London, and teaches acting and playwriting.
Release date NZ
September 20th, 2018
Author
Pages
112
Audience
  • General (US: Trade)
ISBN-13
9781848427877
Product ID
28157783

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