Excerpt from The Philosophy of Fine Art, Vol. 3 [summary The principle of subjectivity, as realized in painting, contrasted with its complete emancipation in the art of music. Annihilation of spatial objectivity. Motion with its resultant effect In musical tone. Analysis of the twofold negation of externality in which the fundamental principle of musical tone consists. The inner soul life exclusively the subject-matter of music. Addressed also In its effect to such. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.