The Painted Face

Portraits of Women in France, 1814-1914

By:

Tamar Garb

Format:

Hardback

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Description

The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.

Author Biography:

Tamar Garb is Durning Lawrence Professor of Art History, University College London. She is the author of, among other books, Sisters of the Brush: Women’s Artistic Culture in Late Nineteenth-Century Paris, published by Yale University Press.

Release date NZ

June 28th, 2007

Author

Tamar Garb

Audiences

General (US: Trade)
Professional & Vocational

Illustrations

140 b-w + 70 color illus.

Pages

288

Dimensions

24x29x3

ISBN-13

9780300111187

Product ID

1971383

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