The Graphic Unconscious in Early Modern French Writing

By:

Tom Conley

Format:

Hardback

Series:

Cambridge Studies in French

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Description

This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate. They often reveal compositional patterns that do not appear to be under authorial control, and open political and subjective dimensions through the interaction of verbal and visual materials. This unconscious, proto-Freudian writing has complex historical relations with practices found in the media of the twentieth century.

Release date NZ

October 8th, 1992

Author

Tom Conley

Audience

Professional & Vocational

Pages

240

Series

Cambridge Studies in French

Dimensions

140x216x17

ISBN-13

9780521410311

Product ID

2159640

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