Feminism is one of the most important perspectives from which visual culture has been theorized over the past thirsty years. The Feminism and Visual Culture Reader brings together a wide array of writings addressing art, film, architecture,popular culture, new media and other visual fields from a feminist perspective combining classic texts by leading feminist thinkers with polemical new pieces. Judith Barry, John Berger, Janet Bergstrom, Rosemary Betterton, Lisa Bloom, Susan Bordo, Rosi Braidotti, Judith Butler, Camera Obscura Collective, Sue-Ellen Case, Meiling Cheng, Judy Chicago, Helene C
Table of Contents
Acknowledgements. 1. Introductions / Provocations 2. Representation 3. Difference 4. Disciplines / Strategies 5. Mass Culture / Media Interventions 6. Body 7. Technology. Index
Amelia Jones is Professor of Art History at the University of California, Riverside. She has organised exhibitions including Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History at the UCLA/Armand Hammer Art Museum (1996), and her publications include the co-edited anthology Performing the Body/Performing the Text (1999), Body Art/Performing the Subject (1998), and Postmodernism and the En-Gendering of Marcel Duchamp (1994).