Neal Stephenson continues his extraordinary 'Baroque Cycle' in this sequel to his bestselling Quicksilver, bringing to life a cast of unforgettable characters in a time of breathtaking genius and discovery. It is the late 1600s, on the high seas. A group of Barbary galley slaves plot as they ply the oars of a pirate ship, hatching a daring scheme to find an enormous cache of Spanish gold. Amazingly, they succeed - leaving some very unhappy men behind who vow to hunt down the vagabonds and bring them to justice, no matter the cost. Meanwhile, back in France, the beautiful Eliza - toast of Versailles and spy extraordinaire - attempts to return to London with her baby, a child whose paternity is shrouded in mystery. Making her way home, her ship is stopped by a French privateer and she is returned to the Sun King's court. Thrown back into a web of international intrigue, Eliza must contend with all manner of characters, including buccaneers, poisoners, Jesuits, financial manipulators, and even a stray cryptographer or two...
Accolades
Locus Award Winner 2005.
Author Biography
Neal Stephenson is the author of the novels Quicksilver, Cryptonomicon, Snow Crash, The Diamond Age, and Zodiac. He lives in Seattle.
Review:
From Publishers Weekly
The title of Stephenson's vast, splendid and absorbing sequel to Quicksilver (2003) suggests the state of mind that even devoted fans may face on occasion as they follow the glorious and exceedingly complex parallel stories of Jack Shaftoe, amiable criminal mastermind, and Eliza, Countess de la Zeur, courageous secret agent and former prisoner in a Turkish harem. In 1689, Jack recovers his memory in Algiers, evades galley slavery and joins a quest for the lost treasure of a Spanish pirate named Carlos Olancho Macho y Macho. This leads to adventures at sea worthy of Patrick O'Brian, and hairbreadth escapes from the jaws of the Inquisition. Meanwhile, Eliza is captured by the historical (and distinguished) French privateer Jean Bart while trying to escape to England with her baby. She must then navigate the intrigues of the court of Louis XIV, which are less lethal than those of the Inquisition by a small margin, but still make for uneasy sleep for a friendless female spy. Her correspondence with such scientific minds as Wilhelm Leibniz helps propel the saga's chronicling of the roots of modern science at a respectable clip. Of course, one can't call anything about the Baroque Cycle "brisk," but the richness of detail and language lending verisimilitude to the setting and depth to the characters should be reward enough for most readers.
