The Anomie Review of Contemporary British Painting considers forty artists' practices that are defining current painting from Britain both nationally and internationally. The anthology documents forty solo exhibitions in public museums and galleries, as well as in commercial, independent and artist-led spaces, in Britain and abroad, during 2017. The anthology documents the work of the invited artists by means of forty solo exhibitions in public museums and galleries, as well as in commercial, independent and artist-led spaces, both in Britain and abroad, during 2017. In addition to illustrating around 150 paintings, the publication features installation views from many of these exhibitions, giving both context and a sense of scale to the works. The anthology features the work of forty artists at various stages in their careers, from high-profile, internationally renowned artists to up-and-coming names. Featured artists and exhibitions include: Tom Anholt at Mikael Andersen, Copenhagen; Gillian Carnegie at Cabinet, London; Andrew Cranston at Wilkinson, London; Kaye Donachie at Le Plateau, Frac Ile-de-France, Paris; Nick Goss at Josh Lilley, London; Lubaina Himid at Badischer Kunstverein, Karlsruhe; Ryan Mosley at Eigen + Art, Leipzig; Chris Ofili at Victoria Miro Venice; George Shaw at Maruani Mercier, Brussels; Raqib Shaw at The Whitworth, Manchester; Clare Woods at DCA, Dundee; and Rose Wylie at Serpentine Galleries, London. 180 colour images