Synchronization and Title Sequences

Audio-Visual Semiosis in Motion Graphics

By:

Michael Betancourt

Format:

Paperback / softback

Series:

Routledge Studies in Media Theory and Practice

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Description

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

Author Biography:

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .

Release date NZ

December 12th, 2019

Author

Michael Betancourt

Series

Routledge Studies in Media Theory and Practice

Pages

156

Audience

Tertiary Education (US: College)

ISBN-13

9780367890391

Product ID

32324750

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