From ballistic missile tests to stranger-than-fiction stories of purges and assassinations, news from North Korea never fails to dominate the global headlines. But what is life there actually like? In SEE YOU AGAIN IN PYONGYANG, Jeppesen culls from his experiences living, traveling, and studying in North Korea to create a multi-faceted portrait of the country and its idiosyncratic capital city. Not quite memoir, not quite travelogue, not quite history book, Jeppesen offers a poignant and utterly original examination of the world's strangest country. Anchored by the experience of his five trips to North Korea, Jeppesen weaves in his observations and interactions with citizens from all walks of life, constructing a narrative rich in psychological detail, revealing how the North Korean system actually functions and perpetuates itself in the day-to-day, beyond the propaganda-fueled ideology. He challenges the Western notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Going beyond the cliches of "taboo tourism" and the "good versus evil" tenor of politicians and media reports, SEE YOU AGAIN IN PYONGYANG is an essential addition to the literature about one of the world's most fascinating and mysterious places.

Author Biography

Travis Jeppesen is an American novelist, poet, artist and art critic. Jeppesen's first novel, Victims, was selected by Dennis Cooper to debut his Little House on the Bowery series for Akashic Books in 2003. His critical writings on art, film, and literature have appeared in Artforum, Art in America, Texte zur Kunst, Flash Art, New York Press, Bookforum, The Stranger, and Zoo Magazine. He is the recipient of a 2013 Arts Writers Grant from Creative Capital / the Warhol Foundation, and he has taught as a visiting tutor in the art department at Goldsmiths University and as a visiting lecturer in Critical Writing in Art and Design at the Royal College of Art, where he recently completed his PhD. An exhibition and publication of his calligraphic work, New Writing, was launched at Exile, Berlin, in May 2016.