Behrman's prolific career as a Broadway playwright and Hollywood screenwriter spans a period from the 1920s to the mid-1960s. As a writer for popular performance he had to contend with commercial influences and with producers and directors involved in the dynamics of the collaborative process. Though successful, his works have not received adequate critical scrutiny. His ouevre probably will never be fully determined because of collaboration, numerous rewrites and the many unpublished and unproduced plays and scripts. Author Robert F. Gross here provides an immensely detailed record of the primary materials, published and unpublished, including plays, filmscripts, fiction and essays, and of the critical response, both reviews and analytical studies. The focus of this volume being on Behrman as a dramatist, Gross has written extensive plot summaries and critical overviews for each of 51 plays. Where applicable, full production credits are given for premieres and revivals, and references are made to reviews and commentary on specific productions as well as on the play in general. The annotated secondary bibliography is divided into chronologically organised sections for reviews and for books, parts of books and articles. Fully cross-referenced, the material is also accessible through an author index to the secondary bibliography and a general subject index. In an opening appraisal, Gross expresses his appreciation for Behrman, whose high comedies he finds to be informed by a probing ethical conscience and whose goal of "scrupulosity" he emulates in his own work. This "scrupulous" playwright is here given his due in a comprehensive sourcebook which should be of value for theatre historians and theatre professionals.