This book will appeal to jazz enthusiasts, musicologists, ethnomusicologists, ethnographers, cultural studies scholars, and those who are passionate about the history of Vancouver's music scene.
Marian Jago, originally from Canada's west coast, is now a lecturer in popular music and jazz studies at the University of Edinburgh. She has published frequently on a wide variety of jazz topics for the Journal of Jazz Studies, Jazz Perspectives, Jazz Research Journal, Routledge, Bloomsbury, and others. Some of her recent work looks at the relationship of jazz to the writing of Jack Kerouac, the jazz economy of New York in the 1960s, and extended studio techniques versus "liveness" in jazz recordings. She also maintains an active interest in the Canadian jazz scene as well as the music and pedagogical practices of Lee Konitz and Lennie Tristano.