Katharine Mansfield's arrival in London in 1908 marked the start of her professional career as a writer and this study marks a revival of her reputation as one of the foremost practitioners of the short story. The international line-up of contributors attests to Mansfield's global appeal. By discussing her fiction in relation to her life, the contributors to this critical work present reinterpretations and readings. Enhanced by new transcriptions of manuscripts and access to her diaries and letters, these readings combine biographical approaches with critical-theoretical ones and focus not only on philosophy and fiction, but class and gender, biography/autobiography. The historical and aesthetic studies of Mansfield's work all take place within a framework of modernist literature, criticism and theory, thereby expanding our understanding of what it means to be a Modernist while allocating Mansfield a firm place in any current study of Modernism.

Author Biography

Gerri Kimber is Associate Lecturer at The Open University, UK. She is co-editor of the literary journal Katherine Mansfield Studies. Susan Reid is Associate Editor of Katherine Mansfield Studies and Reviews Editor for the Journal of Postcolonial Writing. Janet Wilson is Professor of English and Postcolonial Studies at the University of Northampton, UK. She is editor of the Journal of Postcolonial Writing and Chair of EACLALS. She has published the co-edited collection, Rerouting the Postcolonial: New Directions for the New Millennium (2009), Fleur Adcock (2007) and the edition, The Gorse Blooms Pale: The Southland Stories of Dan Davin (2007).