From the moment she began writing her new album, Japanese Breakfast's Michelle Zauner knew that she wanted to call it Jubilee. After all, a jubilee is a celebration of the passage of time-a festival to usher in the hope of a new era in brilliant technicolour. Zauner's first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother's death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world.
How does she do it? With a joyful noise. Jubilee bursts with the most wide-ranging arrangements of Zauner's career. Each song unfurls a new aspect of her artistry.
In the years leading up to Jubilee, Zauner also took theory lessons and studied piano in earnest for the first time, in an effort to improve her range as a songwriter: “I've never wanted to rest on any laurels. I wanted to push it as far as it could go, inviting more people in and pushing myself as a composer, a producer, an arranger.”