Shouting Out Loud! announce the release of Island, the new collaborative
album from Ana da Silva (of The Raincoats) and Japanese electronic musician
Phew. A bracing odyssey in industrial noise, Island is full of absorbing
textures, tactile beats, and a masterfully dynamic compositional style. Each
cavernous track feels like a conversation, and out of the ominous dark comes a
generative hope. Ana and Phew contribute pointillist bits of spoken word in each
other’s native tongues of Portuguese and Japanese, reflecting on isolation,
friendship, and nature. The quotidian is made profound. A gripping mood is set
by the shared stoicism and subtle playfulness of these two cult punk icons. Each
song was collectively composed by both Ana and Phew, who exchanged files via
email. At times, Island evokes the sinister throb of Phew’s recent Light
Sleep album (which in turn recalls Suicide). Island’s logic is one of wise
minimalism. There is a feeling of discovery that will be familiar to Raincoats
fans —a sense of poetry and inquisitiveness, of intuition and invention, of
new languages taking shape // Ana da Silva is a founding member and songwriter
of the pioneering post-punk band The Raincoats. Across four daring full-length
records, The Raincoats helped shape the timeless notion that punk is what you
make it to be an act of raw expression, not any one sound. The Raincoats have
offered creative and spiritual inspiration for several generations of artists,
cited as a formative influence by Kurt Cobain, Carrie Brownstein, Bikini Kill,
and Sex Pistols’ John Lydon. They set a crucial precedent for feminist work
within a DIY punk context, marked all the while by Ana’s poetic lyrical style
and innovative noise guitar playing. Ana’s recent appearances with The
Raincoats include a 2016 collaboration with Angel Olsen for Rough
Trade’s 40th anniversary, as well as a 2017 presentation at The Kitchen, New
York of The Raincoats and Friends, a celebration of Jenn Pelly’s book The
Raincoats.
// With the 2017–18 international release of her album Voice Hardcore (on her
own BeReKet and New York’s Mesh-Key labels) legendary Japanese musician Phew
consolidated her binary interests as vocal performer and, latterly, analogue
electronics improviser. Indeed, since her 2013 conversion to analogue
electronics Phew has continued evolving her live solo project around the world.
In 2015 she released her first almost entirely solo-driven CD, aptly titled
A New World, on the Japanese label Felicity featuring nine songs backed by
herself on electronics and drum machine, with contributions from Deerhoof
guitarist John Dieterich, and synthesizer / electronics player Hiroyuki
Nagashima.
Including “Finale 2015”, her remake of her 1980 debut single “Finale”,
it turned the Phew story full circle. In Japan she has made a series of
acclaimed records under her own name, or with leading bands such as Novo Tono
and her contemporary punk group Most. Her other projects include the electronics
and voice duo Big Picture with Hiroyuki Nagashima.