Paris, 1964. Alberto Giacometti, the famous artist, bumps into his old friend, the American critic, James Lord, and begs that he sits for a portrait because he has an interesting face. It'll just take a couple of days in his studio. Lord is flattered by the request and as the days go by and turn into weeks and weeks seemingly with no end in sight he realises his entire life has been hijacked by this erratic genius. The portrait continues to ebb and flow. Veering between frustration and joy, Lord ultimately sees logic in the artist's chaotic mind and together we witness a genius complete one of his last masterpieces.

Critic Reviews

“Tucci presents an engaging overview of the artist, undoubtedly one that will inspire viewers to continue their own exploration of a fascinating character.”
 – New Zealand Herald

“Final Portrait is filled with acute vigor, seamlessly-interwoven humor, impeccable historical accuracy, and superb acting that combine for another Tucci gem.”
 – Film Inquiry

“Everything about the film's tone is pitch perfect, from its monochromatic palette, touched up with dabs of colour, to its lilting score.”
 – The Age