Dorothy C. Wong is currently Professor of Art and Director of the East Asia Center at the University of Virginia. She received her B.A. from International Christian University, Tokyo, M.Phil. from The Chinese University of Hong Kong, and Ph.D. from Harvard University. Specializing in Buddhist art of medieval China, Wong's research addresses topics of art in relation to religion and society, and the relationship between religious texts/doctrine and visual representations. In addition to many articles on a wide range of Buddhist art topics, she has published 'Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form' (2004; Chinese edition 2011), 'Hōryūji Reconsidered' (editor and contributing author, 2008), 'China and Beyond in the Medieaval Period: Cultural Crossings and Inter-regional Connections' (co-edited with Gustav Heldt, and contributing author, 2014), and 'Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770' (2018; Chinese edition forthcoming), and 'Miraculous Images in Asian Traditions', vol. 50 of 'Ars Orientalis' (editor and contributing author, 2020). Wong previously taught at Florida State University from 1995 to 1997. As Visiting Professor, she has also taught at The Chinese University of Hong Kong, the Eötövs Loránd University, Budapest, and the Centre of Buddhist Studies at the University of Hong Kong. A former editor of the Asian art magazine Orientations, she currently serves on the editorial boards/advising committees of Buddhist Art of China, Acta Via Serica, Crossroads: An Interdisciplinary Journal of Asian Interactions, and Wenxue yu tuxiang (Literature and Image). She has received fellowships from the American Association of University Women, Center for Advanced Study in the Visual Arts at the National Gallery of Art, the Whiting Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Humanities Center.