Durational Cinema

A Short History of Long Films

By:

Michael Walsh

Format:

Hardback

Series:

Experimental Film and Artists' Moving Image

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Description

This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of socialdisgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.

Author Biography:

Michael Walsh was born in London of Irish immigrant parents and educated at Sussex, UK, and Buffalo, USA. He has chaired Cinema Departments at Binghamton University, USA, and University of Hartford, USA, where he is currently Associate Professor. He has published widely on film, literature, and theory.

Release date NZ

December 9th, 2022

Author

Michael Walsh

Series

Experimental Film and Artists' Moving Image

Pages

289

Edition

1st ed. 2022

Audience

Professional & Vocational

Illustrations

XIII, 289 p.

ISBN-13

9783030760915

Product ID

34834146

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