In the mid-1980s the sprouting of new movements that had driven modern art since the nineteenth century finally went dormant, sputtering out with a few last half-hearted labels ('pattern painting', 'neo-geo', 'commodity art'). But this was not the end of art history far from it. In the years since, art's creative development has remained more vibrant than ever, resulting in a diversity of new forms that is truly staggering. Defining Contemporary Art responds to this unique landscape with an innovative approach to art history. Selected by the eight most prominent curators working today, all of whom have both witnessed and shaped this period, Defining Contemporary Art today tells the story of the 200 pivotal artworks of the past 25 years. With insightful texts and generous illustrations, it offers the most complete, accurate and easy-to-use guide to the history of contemporary art. A vital sourcebook for historians and art practitioners, it is also an accessible introduction for anyone eager to understand the art of our time.

Author Biography

Daniel Birnbaum is Director of the Moderna Museet in Stockholm. Formerly Director of Portikus in Frankfurt, where he was also Rektor at the Staedelschule from 2001 to 2010, he has organized numerous international exhibitions, including the 53rd Venice Biennale (2009) and the 1st Moscow Biennial (2004). He writes regularly for a range of magazines, including Artforum and Domus , and he has contributed to a number of Phaidon publications, including Doug Aitken (2001) and Olafur Eliasson (2002). Connie Butler is Chief Curator of Drawings at the Museum of Modern Art in New York, where she has curated such exhibitions as Marlene Dumas: Measuring Your Own Grave (2008-09) and Paul Sietsema Figure 3 (2009) and co-curated On Line: Drawing Through the 20th Century (2010-11). As Curator at the Museum of Contemporary Art in Los Angeles from 1996-2005 she worked on numerous exhibitions, including Afterimage: Drawing Through Process (1999), Rodney Graham: A Little Thought (2004) and the major touring exhibition WACK! Art and the Feminist Revolution (2007). Suzanne Cotter is Solomon R. Guggenheim Foundation Curator of the Guggenheim Abu Dhabi Project. In 2011 she co-curated the 11th Sharjah Biennial. From 2002 to 2010 she was Senior Curator at Modern Art Oxford, where her exhibitions included Mike Nelson: Triple Bluff Canyon (2004), Out of Beirut (2006) and Pawel Althamer: Common Task (2009). She was curator of the Hayward Gallery in London from 1998 to 2002. Bice Curiger has been Curator at the Kunsthaus Zurich since 1993, where her exhibitions have included Birth of the Cool (1997), Hypermental (2000) and The Expanded Eye (2006). She is Editor-in-Chief of Parkett , which she co-founded in 1984, and Publishing Director of Tate etc. magazine. Her writing on contemporary art has been published in a range of magazines and books, including Phaidon s Franz West (1999) and Fresh Cream (2000). In 2011 she was Artistic Director of the 54th Venice Biennale. Okwui Enwezor is Director of the Haus der Kunst in Munich and Adjuct Curator at the International Center of Photography in New York. His exhibitions as an independent curator include The Short Century: Independence and Liberation Movements in Africa, 1945-1994 (2001-02), Global Conceptualism (1999-2000) and Mirror s Edge (1999-2000). He served as the Artistic Director of the 7th Gwangju Biennial (2008), Documenta 11 (2002) and the 2nd Johannesburg Biennial (1999). He writes regularly for a number of magazines and journals, and his books include Contemporary African Art Since 1980 (2009) and Archive Fever: Uses of the Document in Contemporary Art (2008). Massimiliano Gioni is Associate Director at the New Museum, New York, and Artistic Director at Fondazio