Michael Scott is Fellow and Senior Dean at Blackfriars Hall Oxford. He is the author of books on Shakespeare, Elizabethan / Jacobean and Twentieth Century Theatre, including 'John's Marston's Plays: Theme, Structure and Performance'; 'Renaissance Drama and a Modern Audience'; 'Shakespeare and the Modern Dramatist'; 'Shakespeare's Tragedies: All that Matters'; 'Shakespeare's Comedies: All that Matters'; 'Shakespeare: A Complete Introduction'. He was founding and general editor of 'The Text and Performance' series and of 'The Critics Debate' series. He is also co-editor of the 'Casebook on Harold Pinter: The Birthday Party, The Caretaker, The Homecoming'. With Deborah Cartmell, he co-edited 'Talking Shakespeare: Shakespeare into the Millennium'. He was on the editorial board, which relaunched 'Critical Survey' for O.U.P. He has lectured on Shakespeare in many countries around the world including India, China, U.S.A. as well as in the U.K., where he has given public lectures for the R.S.C. and the National Theatre. He also writes fiction under the name of Michael Kerr Scott. Michael J. Collins is Teaching Professor of English and Dean Emeritus at Georgetown University. He is editor of 'Reading What's There: Essays on Shakespeare in Honor of Stephen Booth' (2014); 'Shakespeare's Sweet Thunder: Essays on the Early Comedies' (1997); and, with Francis J Ambrosio, 'Text and Teaching: The Search for Human Excellence' (1991). He has published essays on teaching Shakespeare and Shakespeare in performance in 'Shakespeare Quarterly', 'Shakespeare Yearbook', and 'Critical Survey' among other publications. He regularly reviews productions of Shakespeare for 'Shakespeare Bulletin'. He has been a member of the faculty on courses for secondary school teachers at the Folger Shakespeare Library in Washington and Shakespeare's Globe in London.