Man Has Made His Match... Now It's His Problem.
Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st-century Los Angeles. He’s a “blade runner” stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human.
In celebration of the Blade Runner 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version, unveiled on DVD in December. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director and filmmaker commentary, an all-new 5.1 Dolby® Digital audio track and more.
Said Sir Ridley Scott: "The Final Cut is the product of a process that began in early 2000 and continued off and on through seven years of intense research and meticulous restoration, technical challenges, amazing discoveries and new possibilities. I can now wholeheartedly say that Blade Runner: The Final Cut is my definitive director's cut of the film."
- Ridley Scott's all-new 'Final Cut' version of the film
- Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio
- Commentary by Ridley Scott
- Commentary by Executive Producer/ Co-Screenwriter Hampton Fancher and Co-Screenwriter David Peoples; Producer Michael Deely and production executive Katherine Haber
- Commentaries by visual futurist Syd Mead; production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumbull, Richard Yuricich and David Dryer
- Documentary - Dangerous Days: Making Blade Runner. A feature-length authoritative documentary revealing all the elements that shaped this hugely influential cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film -- from its literary roots and inception through casting, production, visuals and special effects to its controversial legacy and place in Hollywood history.
- 1982 THEATRICAL VERSION - This is the version that introduced U.S. movie-going audiences to a revolutionary film with a new and excitingly provocative vision of the near-future. It contains Deckard/Harrison Ford's character narration and has Deckard and Rachel's (Sean Young) "happy ending" escape scene.
- 1982 INTERNATIONAL VERSION - Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.
- 1992 DIRECTOR'S CUT - The Director's Cut omits Deckard's voiceover narration and removes the "happy ending" finale. It adds the famously-controversial "unicorn" sequence, a vision that Deckard has which suggests that he, too, may be a replicant.
- BONUS DISC - "Enhancement Archive"
- Featurette The Electric Dreamer: Remembering Philip K. Dick
- Featurette Sacrificial Sheep: The Novel vs. The Film
- Philip K. Dick: The Blade Runner Interviews (Audio)
- Do Androids Dream of Electric Sheep Cover Gallery (Images)
- The Art of Blade Runner (Image Galleries)
- Featurette Signs of the Times: Graphic Design
- Featurette Fashion Forward: Wardrobe & Styling
- Screen Tests: Rachel & Pris
- Featurette The Light That Burns: Remembering Jordan Cronenweth
- Unit Photography Gallery
- Deleted & Alternate Scenes
- 1982 Promotional Featurettes
- Trailers & TV Spots
- Featurette Promoting Dystopia: Rendering the Poster Art
- Marketing & Merchandise Gallery (Images)
- Featurette Deck-A-Rep: The True Nature of Rick Deckard
- Featurette Nexus Generation: Fans & Filmmakers
- Workprint Version - This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no "unicorn" sequence, no Deckard/Rachel "happy ending," altered lines between Batty (Rutger Hauer) and his creator Tyrell (Joe Turkell), alternate music and much more.
- Commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner
- Featurette All Our Variant Futures: From Workprint to Final Cut
- Lenticular motion image from the origianl feature
- Collection of photographs from film
- Letter from Ridley Scott