In 1943 the Armes Forces radio service began transmitting programmes that linked the thousands of American military personnel and civilians stationed overseas to the United States. This study provides discographical data for the first 1000 recordings of the AFRS Basic Musical library, "P" (popular) Series. This series of recordings of popular, jazz, and classical music constituted a permanent music library at every military radio station and allowed AFRS personnel at the numerous broadcast facilities around the world to act as disc jockeys, playing the most popular and requested songs and artists for their audiences - principally American GIs. Some of the many orchestras and singers represented in the collection include Bing Crosby, Harry James, Count Basie, Cab Calloway, the Andrews sisters, Frank Sinatra, and Peggy Lee. The sources of the recordings were variable and included commercial recordings (occasionally alternative takes) principally from Columbia, Decca, and Victor; radio broadcasts (often from dress rehearsals); concerts; and AFRS,s own recording sessions. Larry F.Kiner and Harry Mackenzie have researched the AFRS files to produce this listing of these recordings and their compilation identifies the many commercial record issues that have been derived from the series. Following the introduction that advises readers how to use the book and also explains its format and abbreviations, the 1,000-entry discography begins. Each entry lists the AFRS Basic Musical Library "p" series catalogue number; the matrix number; take number as shown on the AFRS label; song title; artist identification; running time in minutes; source of the take, including exact date and geographical location, when known; and size, speed and issue data. Two appendixes centre on the most popular artists and the most popular of the collection. Two separate indexes list articles and songs to facilitate ease of location. Of interest are the over three dozen label illustrations. This source of information on American popular songs, artists, and recordings of the 1943 to 1947 period may be welcomed by musical scholars of the World War II era and by those with a penchant for American popular music.