Armelle Parey is an assistant professor at the Université de Caen-Normandie (France). Her interests embrace narrative endings, memory and rewritings of the past in contemporary English-speaking fiction and in adaptation. She has written several articles and co-directed several collections of essays or special issues on the question of endings. She has recently co-edited A.S. Byatt, Before and after Possession: Recent Critical Approaches (Book Practices and Textual Itineraries 8, PU de Nancy-Editions de Lorraine, 2017) and edited Prequels, Coquels and Sequels in Contemporary Anglophone Fiction (Routledge, 2019). Shannon Wells-Lassagne is a full professor at the University of Burgundy (Dijon, France), where she specializes in film and television adaptation. She is the author of Television and Serial Adaptation (Routledge), and editor of Screening Text (McFarland), Étudier l’adaptation filmique (Presses Universitaires de Rennes), and L’adaptation filmique : premières pages, premiers plans (Mare et Martin), as well as special issues of The Journal of Screenwriting, Interfaces, GRAAT and TV/Series and dossiers in Screen and Series. Her work has appeared in Screen, Critical Studies in Television, and The Journal of Adaptation in Film and Performance, among others.