Love means never having to say you're sorry. No, love is in the air. No, love is the sweetest thing. No, it's soft as an easy chair. No, it's a stranger in an open car. No, it's a many-splendoured thing. No, it's the drug. No, it's like a butterfly. Oh, let's call the whole thing off. Love stories are not always about hearts and flowers. In this deliciously different celebration of love, romance is all about having a good row (and not always having to say you're sorry). From trivial everyday quarrels, such as a dispute over a bride's new hat in Dorothy Parker's "Here We Are" and an argument about whether to close the screen door in Lydia Davis' "Disagreement", to the more serious disagreements of Jackie Kay's "You Go When You Can No Longer Stay" or William Trevor's "Access to the Children", relationships of every kind - devoted, comfortable, passionate, intimate, bad-tempered - are here.

Author Biography

ALI SMITH was born in Inverness in 1962 and lives in Cambridge. She is the author of Like (1997); Other Stories And Other Stories (1999); Hotel World (2001), which was shortlisted for both the Orange Prize and the Booker Prize; The Whole Stories and Other Stories (2003) and The Accidental, published by Hamish Hamilton in 2005. Ali Smith also writes for the Guardian, the Scotsman and the TLS. KASIA BODDY is a senior lecturer in English at UCL. She is the author of Boxing: A Cultural History (2008) and co-editor (with Ali Smith & Sarah Wood) of Brilliant Careers: The Virago Book of Twentieth-Century Fiction (2000); she has contributed an introduction to the Penguin Modern Classics edition of Carson McCullers, The Heart is a Lonely Hunter. SARAH WOOD is an artist, filmmaker and film curator.