This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language, a relation that cannot be taken as an object of critical or philosophical reflection in the traditional manner. Exploring the exigencies of figuring this relation at the limits of language, the multifold writing of this volume takes the form of a triptych (following the model of works by Francis Bacon) rather than that of a thesis. The central (and organizing) section of the volume contains an extended dialogue on two textual passages portraying versions of what the author describes as the death of the infans. With the strange resonance of the primal or the originary, these two scenes from works by Maurice Blanchot and Jacques Lacan invite a reflection on the mortal exposure that marks the human share in the advent of language, an exposure whose figuration is necessary to any speech or conscious life. The dialogue explores the ethical and philosophical issues that surface in a practice of writing (a pragmatics) that engages this necessary figuration, and thus the limits of language. The latter issues are also explored in a brief essay on Antigone that concludes the dialogical fiction.