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Dramma Giocoso

Post-Millennial Encounters with the Mozart/Da Ponte Operas
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Description

The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.

Author Biography:

Sergio Durante is Director of the Department of Art and Music History at the University of Padua (Italy). Stefan Rohringer is Professor of Music Theory at Hochschule fur Musik und Theater Munchen (Germany). Julian Rushton is Emeritus Professor of Music at the University of Leeds (UK) and Chairman of the Editorial Committee of Musica Britannica. James Webster is the Goldwin Smith Professor of Music at Cornell University. Darla Crispin is Senior Research Fellow at Orpheus Research Centre in Music (ORCiM, Belgium).
Release date NZ
April 25th, 2012
Audience
  • General (US: Trade)
Contributor
  • Edited by Darla Crispin
Pages
140
Dimensions
150x239x10
ISBN-13
9789058678454
Product ID
11071349

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