Left after the death of his wife and ones of his sons with an empty house and cupboards full of hoarded odds and ends that seem to have nothing to do with him, Aldous Jones is tempted to spend the whole day sitting in his chair in the kitchen. But with admirable determination, he resolutely resumes old pastimes until, one day, wandering London with his bus pass, he is surprised to find in the National Gallery a painting that holds him completely in its spell. Rembrandt's portrait of his housekeeper turned mistress, Hendrijcke Stoffels, awakens in Aldous the desire for a new life, a new woman, sex and companionship that will lead him to Ostende to stay with his bohemian son, to Flemish evening classes, and through a series of slightly misguided relationships with sympathetic women until eventually he meets his Hendrijcke in an ending of devastating poignancy. You don't need to have read Gerard Woodward's previous two novels, August and I'll Go To Bed At Noon, to fall in love with this one, and its wonderfully fallible hero, Aldous Jones but by the time you've finished you will want to read them all. Having hovered at the periphery of the previous books, Aldous comes
Gerard Woodward was born in London in 1961. After studying painting and anthropology, he published three prize-winning collections of poetry and then turned to novel writing with an ambitious trilogy of novels based on the lives of his parents. The first, August, was shortlisted for the Whitbread First Novel Award, the second, I'll Go To Bed At Noon was on the shortlist of the 2004 Man Booker Prize. Since then he has published another collection of poetry, We Were Pedestrians (shortlisted for the 2005 T.S. Eliot Prize) and begun teaching Creative Writing at Bath Spa University in Bath, where he now lives.