He is getting back to the stories that are actually good after a few dodgy ones! Good stuff :)
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He is getting back to the stories that are actually good after a few dodgy ones! Good stuff :)
Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens -- town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing -- even murder -- to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out.
Reviews
"The frequent accusation that King writes too long is sometimes deserved. However, when he works in an epic mode, depicting dozens of characters and all their interrelationships, he can produce great work. He did it with The Stand and with It, and he has done it again here. A small Maine town is enclosed one October morning by an impermeable bell jar of unknown origin. Within this pressure cooker, the petty differences and power struggles of village life are magnified and accelerated. Opposing camps develop, one headed by Big Jim Rennie, the Second Selectman, and the other by Dale Barbara, a drifting Iraq vet who was nearly out of town when the Dome fell. The characters are well rounded and interesting while retaining the familiar appeal that has drawn and kept King fans for decades. VERDICT Regular King readers will rejoice at his return to his strengths. Some will balk at the page count, but a fast pace and compelling narrative make the reader's time fly. Highly recommended." Library Journal
"King's return to supernatural horror is uncomfortably bulky, formidably complex and irresistibly compelling….King handles the huge cast of characters masterfully but ruthlessly, forcing them to live (or not) with the consequences of hasty decisions. Readers will recognize themes and images from King's earlier fiction, and while this novel doesn't have the moral weight of, say, The Stand, nevertheless, it's a nonstop thrill ride as well as a disturbing, moving meditation on our capacity for good and evil." Publishers Weekly
"It's vintage King: wonderfully written, good, creepy, old-school fun." Kirkus Reviews
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