Museums across Great Britain and Ireland hold Aboriginal and Torres Strait Islander (collectively referred to as 'Indigenous') cultural heritage of exceptional value, but which is largely unknown, rarely seen and poorly understood. Gifted, sold, exchanged and bartered by Indigenous people, and accepted, bought, collected and taken by travellers, colonists, explorers, missionaries, officials and others, these rare objects date from Captain Cook in 1770 to the present day. Numbering over 35,000 items, they represent all regions of Australia's vast landmass, from deserts, islands and coasts to tropical rainforests.
The book uses nearly 160 artefacts, selected from over 30 public museums, both large metropolitan and small regional, to present a multi-stranded narrative that opens up vistas on Britain's Australian history as much as Australia's British history.
More than twenty Indigenous, Australian and international experts weave together deeply-contextualised accounts of objects and object-types; of makers, communities and regions; and of collectors, networks and institutions, while also exploring the meanings and importance of this material in Australia, Britain and Ireland, and the world today.
Distanced from their places of origin and dispersed throughout Britain and Ireland, these objects are gathered together for the first time. Out of museum stores and into this book, they are evidence of the complex, and often difficult, relationships between Indigenous Australians and British people and institutions, as well as being powerful conduits for telling that history anew and in ways that seek to challenge and rework its legacies.
Author Biography:
Gaye Sculthorpe is Curator and Section Head, Oceania, The British Museum and a leading scholar of Indigenous Australian material culture. In 2015, she curated the BP exhibition Indigenous Australia: enduring civilisation. Prior to taking up this position in 2013, she worked as a Member of the National Native Tribunal in Australia. Maria Nugent is a historian and co-director of the Australian Centre for Indigenous History at the Australian National University. She publishes widely on Indigenous Australian history and memory, and material culture. She is co-editor of Mistress of Everything: Queen Victoria in Indigenous Worlds (Manchester University Press, 2016). Howard Morphy is Emeritus Professor of Anthropology at The Australian National University. He was previously founding Director of its Research School of Humanities and the Arts. He is an anthropologist of art and a visual anthropologist and publishes widely in those fields, including Becoming Art: Exploring Cross-Cultural Categories (Berg 2007).
