The Tudor and Stuart period in Britain, the time of Shakespeare, Jonson, Milton, Drayton, Herrick and many others, was a time when fairies featured repeatedly in poetry and drama. This book is a detailed examination of the fairies of the era, as they are depicted in the verse of the sixteenth and seventeenth centuries.The book is divided into three parts. The first part surveys the medieval background- how fairies were portrayed in the romances, poems and other literary works of the Middle Ages. Particular attention is paid to ideas of fairyland and to the kings and queens of Faery.In the second part of the book Tudor and Stuart fairy knowledge is examined in detail. Drawing on the many plays and poems of the period, a picture is built up of how contemporary people understood and interacted with their fairy neighbours. The book then considers how new ideas were beginning to change fairy belief at this time: changes in religion, science and culture were taking place (most notably the Reformation and the Renaissance) and these had a major impact on popular perceptions of fairies. Lastly in this part of the book, two specific questions are examined: how big were the fairies thought to be and what colour were their clothes- and their bodies?The third part of the book is an annotated anthology of selected Tudor and Stuart fairy verse. Work is included by Thomas Churchyard, Simeon Steward, Robert Herrick, Michael Drayton and William Warner, amongst others. Overall, rather than just relying on Shakespeare, Jonson and Milton, the book draws on a very wide range of authors, both English and Scots, and includes many little known plays and poems.The book is a valuable companion to the author's 'Victorian Fairy Verse.'