The Judgement of Paris

The acclaimed author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling paints a dazzling portrait of late-nineteenth century France and of the painters who were emblematic of the struggle between old and new – a struggle which resulted in the birth of Impressionism.

In 1863, the French painter Ernest Meissonier was one of the most famous artists in the world and the darling of the ‘Salon’ – that all important public art exhibition held biannually in Paris. Manet, on the other hand, was struggling in obscurity. Beginning with the year that Manet exhibited his ground-breaking Dejeuner Sur L’Herbe and ending in 1974 with the first ‘Impressionist’ exhibition, Ross King plunges into Parisian life during a ten-year period full of social and political ferment with his usual narrative brillliance.

These were the years in which Napoleon III’s autocratic and pleasure-seeking Second Empire fell from its heights into the ignominy of the Franco-Prussian war and the ensuing Paris Commune of 1871. But it was also a period in which a group of artists, with Manet in the vanguard began to challenge the establishment by turning to the landscapes and ordinary people they saw around them. The struggle between Meissonier and Manet to get their paintings exhibited in pride of place at the Salon was not just about art, it was about how to see the world.

Author Biography

Ross King is a renowned expert in the Italian Renaissance. He is the author of numerous bestselling and acclaimed books include Brunelleschi’s Dome, Michelangelo and the Pope’s Ceiling, Leonardo and the Last Supper and Mad Enchantment- Claude Monet and the Painting of the Water Lilies. His love of Renaissance Florence, which he has been studying, writing and lecturing about for over twenty years, made Vespasiano’s long-forgotten story – never written about before – an irresistible next subject. He lives just outside Oxford.