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A look at the creators of artistic fakes and copies. Sandor Radnoti explores the role of the faker in the art world, and tackles the question of whether fakes can be considered to be art in their own right. He provides an examination of the “parasites” of the art world, investigating the faker’s motives and aesthetic sense, as well as the way in which the faker’s own story acts as a critical appraisal of the centre of the art world. If art is seen from both the centre and the periphery of the art world, suggests the author, the viewer’s questions about the art may be answered more accurately and appropriately.
Author Biography
SOndor Radn-ti is professor of aesthetics at the Budapest University of Arts and Sciences.
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