A withering takedown of four billionaires (from Andreessen to Zuckerberg) who are selling us fantasies while the world burns.

At a time when multiple crises are compounding to create epic inequality, four billionaires are hyping schemes that are designed to divert our attention away from issues that really matter. Each scheme – from the metaverse to cryptocurrency, space travel and transhumanism – is an existential threat in moral, political, and economic terms. In The End of Reality Jonathan Taplin shines a light on the enormous cultural power of Peter Thiel, Elon Musk, Mark Zuckerberg, and Marc Andreessen, questioning whether we want our society to be run by people who receive blood transfusions to stay young. Will we really want our children anywhere near the metaverse? Do we trust Musk to rule over Mars?

Tech monopolies have brought middle-class wage stagnation, the hollowing out of towns where normal people live, a radical increase in income inequality, and unbounded public acrimony. Meanwhile, the enormous amount of taxpayer money to be funnelled into dystopian ventures, the benefits of which will accrue to billionaires. The End of Reality is both a scathing critique of the warped worldview of a tiny minority and a vision of a truly regenerative economics to build a sustainable society with healthy growth and full employment.

Author Biography

Jonathan Taplin is director emeritus of the Annenberg Innovation Lab at the University of Southern California and author of Move Fast and Break Things, which was nominated for the Financial Times / McKinsey Business Book of the Year. Taplin has produced music and film for Bob Dylan, The Band, George Harrison, Martin Scorsese, Wim Wenders, Gus Van Sant, and many others. He is a member of the Academy of Motion Picture Arts and Sciences, chairman of the board of the Americana Music Foundation and sits on the board of the Authors Guild Council. His cultural commentary has appeared on Medium and in the New York Times, the Washington Post, Time magazine, the Huffington Post, Guardian, Washington Monthly, and the Wall Street Journal.

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