The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Québec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources include a fuller version of the bibliography and an additional contribution on YouTube versions of Othello. This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.

Author Biography

Sarah Hatchuel is Professor of English Literature and Film at the University of Le Havre and the President of the Société Française Shakespeare. She has written extensively on adaptations of Shakespeare’s plays. She is the author of Shakespeare and the Cleopatra/Caesar Intertext: Sequel, Conflation, Remake (2011) and Shakespeare, from Stage to Screen (Cambridge, 2004). She also edited Julius Caesar and Antony and Cleopatra in The New Kittredge Shakespeare collection (2008) and co-edited, with Nathalie Vienne-Guerrin, the Shakespeare on Screen series (from 2003–13. Nathalie Vienne-Guerrin is Professor in Shakespeare Studies at Université Paul Valéry, Montpellier. She is Co-General Editor (with Jean-Christophe Mayer) of Cahiers Élisabéthains and co-director (with Patricia Dorval) of the Shakespeare on Screen in Francophonia Database (shakscreen.org). She is the author of The Unruly Tongue in Early Modern England, Three Treatises (2012) and co-edited, with Sarah Hatchuel, the Shakespeare on Screen series (from 2003–13.

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