Performance, Style and Gesture in Western Theatre

Until the beginning of the 20th Century, when naturalism began to assert its powerful influence on western theatre, acting was a very different business indeed. Rather than attempting to reproduce realistic behaviour, actors conveyed their characters’ feelings and intentions by using a vocabulary of minutely prescribed and highly stylised movements and gestures, each with it’s own meaning and significance.

In this wide-ranging, illustrated survey, Nicholas Dromgoole traces the origins and evolution of this lost ‘language of gesture’ from ancient Greece to the contemporary stage, and asks what it would actually have been like to watch the great plays – and the great actors – of western theatre in their own day.

Author Biography

Nicholas Dromgoole’s published work includes ‘The Playwright as Rebel’ (Oberon) and ‘Sibley and Dowell’, a portrait of one of the great dance partnerships of our time, as well as many introductions to volumes of classical and contemporary drama. For over thirty years hs was dance critic for the Sunday Telegraph and a regular contributor to other magazines and newspapers including The Times and Punch. He has lectured widely on drama and drama history and contributed to various arts broadcasts on radio and television.