Observatory

Aeon Station’s Obser­vatory is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Long-time Wrens member Kevin Whelan’s first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you’re familiar with Whelan’s past work, these ten tracks bear a certain and unmistakable familiarity—but they also mark an exciting new chapter in Whelan’s musical career, as he steps out with more vulnerability than ever before.

Observatory came together carefully for Whelan—over the course of 14 years, specifically, as clusters of demos and sketches were eventually assembled and recorded largely by Whelan himself, with assistance from Wrens bandmate Jerry MacDonald and Greg Whelan as well as Tom Beaujour in his Union City recording space. Additionally, his wife Mary Ann provided backup vocals.

The long gestation of Observatory means that a lot of lived experience went into making this album. As time passed, Whelan got married, started a family, and moved to the Asia Pacific region for a period of time; at 15 months old, his son (now eight) was also diagnosed with autism, and the title of Observatory is inspired by Whelan’s rela­tionship with his son.

Whelan’s scope of musical vision on Observatory is wide open and free with possibilities—at once recalling the reflective wisdom of Bruce Springsteen, Broken Social Scene’s huge anthemic burn, and the Wrens’ own pulsing-with-life take on rock music. Above all, this is music not only for dreamers but for those who realize and appreciate the enormity of every moment. If you’ve ever caught air in your lungs or felt your heart beating in your chest, there’s no doubt that you’ll find some level of connection with Observatory’s open-hearted, instantly classic-sounding rock.