Marx at the Movies

Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed ‘end of history’, marked by the comprehensive triumph of capitalism and the ‘end of cinema’, calls for revisiting Marx’s writings in order to analyse film theories, histories and practices.

Author Biography

Martin Brady, King’s College London, UK
William Brown, University of Roehampton, UK
Ian Fraser, Loughborough University, UK
Peter Hames, Staffordshire University, UK
John Hutnyk, Goldsmith College, University of London, UK
Lars Kristensen, University of Skövde, Sweden
Jakob Ladegaard, Aarhus University, Denmark
Iris Luppa, London Southbank University, UK
Ewa Mazierska, University of Central Lancashire, UK
Silke Panse, University for the Creative Arts, UK
Dennis Rothermel, California State University, Chico, USA
Johan Siebers, University of Central Lancashire, UK
Mike Wayne, Brunel University, UK