Lady Justice

Lady Justice: An Anatomy of Allegory leaves conventional readings of this pivotal figure in European legal history far behind. Hayaert’s study brings together an analysis of thousands of images from the period 1400 1600, many of them previously overlooked, including artwork, frontispieces, legal texts, sculptures and statues in public spaces and in court buildings scattered across six countries. Lady Justice is taken apart and considered afresh – organ by organ, limb by limb, digit by digit, making a case for a treatment of allegory in all its complexity, ambiguity and affective force.
This unique interdisciplinary study exceeds the iconographic orthodoxy of art historians and the reductive interpretations of legal historians alike. Setting aside styles and schools, ranging widely across time and space, Hayaert identifies Lady Justice as the seat of law’s conscience, an archetype of the judge’s daimon, and an affective, numinous address to all who, over the course of seven centuries, have found themselves moved by her redolent and inextinguishable presence.

Author Biography

Valérie Hayaert is Research Fellow at the Criminal Justice Centre of the University of Warwick. She is author of Mens emblematica et humanisme juridique (Librairie Droz, 2008), co-editor with Mara R. Wade of Emblematica: Essays in Word and Image Volume 1 (Librairie Droz, 2017) and co-editor with Peter Goodrich of Genealogies of Legal Vision (Routledge, 2015).