Ha Chong-Hyun (b. 1935, Sancheong-gun; lives and works in Seoul) is a master artist within the Dansaekhwa art movement Korean monochrome painting distinguished by its attention to the formal structure of the picture plane and the incorporation of East Asian spirituality. Amid extreme material deprivation and the authoritarian political system of 1960s and 70s Korea, Ha explored the potential of unorthodox materials such as newsprint, scrap lumber, and barbed wire attached to canvas. Working with muted earth tones on burlap and hemp canvases, and combining painting traditions from the East and West, Ha was instrumental in redefining the role of painting. In 1969, the artist cofounded the Korean Avant-Garde Association to generate new directions for Korean art through various art publications and group exhibitions. By the 80s, his practice centered on the physical act of painting and a turn to darker, more saturated colors. His long-standing focus on form and process position him as a visionary contributor to contemporary painting in the global context. Published to celebrate the artist s upcoming ninetieth birthday, this beautifully illustrated volume is a fitting tribute to a revelatory figure.

Author Biography

Hyun-Sook Lee is an art dealer, collector, founder, and chairwoman of Kukje Gallery in Seoul. Rosa Maria Falvo is an independent writer and curator, specializing in Asia Pacific and Middle East publications and projects. Philippe Vergne is the director of the Serralves Museum of Contemporary Art in Porto, Portugal. Sunjung Kim is the founder of Samuso, artistic director of Artsonje Center in Seoul, and former artistic director of Archive & Research at the Asia Culture Center in Gwangju. Minemura Toshiaki is a Japanese art critic, professor emeritus at Tama Art University in Tokyo, and former director of the Tama Art University Museum. John Yau is an American poet and art critic living in New York.

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