Cezanne

Today we view Cezanne as a monumental figure, but during his lifetime (1839 1906), many did not understand him or his work. With brilliant insight, drawing on a vast range of primary sources, Alex Danchev tells the story of an artist who was never accepted into the official Salon: he was considered a revolutionary at best and a barbarian at worst, whose paintings were unfinished, distorted and strange. His work sold to no one outside his immediate circle until his late thirties, and he maintained that ‘to paint from nature is not to copy an object; it is to represent its sensations’ – a belief way ahead of his time, with stunning implications that became the obsession of many other artists and writers, from Matisse and Braque to Rilke and Gertrude Stein.

Beginning with the restless teenager from Aix who was best friends with Emile Zola at school, Danchev carries us through the trials of a painter tormented by self-doubt, who always remained an outsider, both of society and the bustle of the art world. Cezanne: A life delivers not only the fascinating days and years of the visionary who would ‘astonish Paris with an apple’, with interludes analysing his self-portraits, but also a complete assessment of Cezanne’s ongoing influence through artistic imaginations in our own time. He is, as this life shows, a cultural icon comparable to Monet or Toulouse.

Author Biography

Alex Danchev is Professor of International Relations at Nottingham University. His biography of Basil Liddell Hart was listed for the Whitbread Prize for Biography and the Samuel Johnson Prize for Non-Fiction in 1998, and his edition of the Alanbrooke Diaries was listed for the WH Smith Prize for Biography in 2001. In 2009 he published On Art and War and Terror, and his most recent book, 100 Artists’ Manifestos was published in 2011. He is a literary reviewer for the Times Higher and TLS.