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T’ai Smith deftly reframes the Bauhaus weavingworkshop as central to theoretical inquiry at the school, uncovering newsignificance in the work the weavers did as writers. Exploring questions ofestablishing value and legitimacy in the art world along with the limits ofmodernism, this book confronts the belief that the crafts are manual andtechnical but never intellectual arts.
Author Biography
T’ai Smith is assistant professor in the department of art history, visual art, and theory at the University of British Columbia.
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