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Theology as Performance

Music, Aesthetics, and God in Modern Theology

Format

Hardback

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Theology as Performance by Philip E. Stoltzfus
$401.99
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Description

Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.

Author Biography

Philip E. Stolzfus isAssistant Professor of Religion, St. Olaf College, Northfield, Minnesota.
Release date NZ
July 15th, 2006
Country of Publication
United Kingdom
Illustrations
black & white illustrations
Imprint
T.& T.Clark Ltd
Pages
298
Dimensions
152x229x20
ISBN-13
9780567029218
Product ID
3071823

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