Technology has always been an important part of theatre, both as a means to an end and as end in itself. Throughout the 20th century a unifying attitude in all art forms is the desire to examine the materials and the tools of making art. In the theatre this approach significantly expands the relationships between technology, scenography and performance. This book explores ways in which development and change in technology have been reflected in scenography, and considers how change in scenographic identity has impacted upon the place and meaning of performance.

Author Biography

CHRISTOPHER BAUGH is Professor of Drama at the University of Kent at Canterbury, UK. He researches and teaches the history, theory and practice of scenography and is himself a professional stage designer. He is Chair of the Society for Theatre Research's Research Committee, was on the planning committee for The Globe Theatre, Bankside, and is editor of the journal Scenography International (with Christine White).