From "The Red One": There it was! The abrupt liberation of sound! As he timed it with his watch, Bassett likened it to the trump of an archangel. Walls of cities, he meditated, might well fall down before so vast and compelling a summons. For the thousandth time vainly he tried to analyze the tone-quality of that enormous peal that dominated the land far into the strongholds of the surrounding tribes. The mountain gorge which was its source rang to the rising tide of it until it brimmed over and flooded earth and sky and air. With the wantonness of a sick man's fancy, he likened it to the mighty cry of some Titan of the Elder World vexed with misery or wrath. Higher and higher it arose, challenging and demanding in such profounds of volume that it seemed intended for ears beyond the narrow confines of the solar system. There was in it, too, the clamor of protest in that there were no ears to hear and comprehend its utterance. -- Such the sick man's fancy. Still he strove to analyze the sound. Sonorous as thunder was it, mellow as a golden bell, thin and sweet as a thrummed taut cord of silver -- no; it was none of these, nor a blend of these. There were no words nor semblances in his vocabulary and experience with which to describe the totality of that sound. Also includes "The Hussy," "Like Argus of the Ancient Times," and "The Princess."

Author Biography

John Griffith "Jack" London (1876 - 1916) was an American novelist, journalist and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire," "An Odyssey of the North" and "Love of Life." He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen," and of the San Francisco Bay area in The Sea Wolf.