Excerpt from The Pilgrimage of the Tiber From Its Mouth to Its Source: With Some Account of Its Tributaries Although we were both familiar with a good part of the river previously to the journey here described, yet on this occasion we conscientiously made the whole tour of it, from its mouth to its source, in order that nothing should be omitted in the account of its course. The journey took about five weeks, leaving out the excursions made from Rome. We were accompanied by two artist friends, one the length of the whole journey, and the other from Perugia both of whom lent the aid of their pencils to illustrate our progress. Though not very easy to define, my plan of selection in writing this book has been a very special and precise one to myself. It may be indicated by the term picturesque. I have not attempted to write a guide book or a history. I have thought it enough to have chosen those events and circumstances which group themselves about my subject wherever their importance and interest may have made their introduction desirable from a picturesque or illus trative point of view. I have only given as much personal adventure as might serve to string my narrative upon. A few old, stories will be found here, associated or connected with the ancient river, which I hope it will not be thought are repeated once too often. I did not think, however, when treating of the Tiber as a subject that this was the place to omit them. The pictures given from local historians of the mediaeval condition of some of the Tiberine towns, and country, will, I believe, be new to most English readers. The chapter upon the popular songs of central Italy will also probably afford an insight into a quite fresh field of literature, as I do not know that any of them have been brought forward before in the English language. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.