In The Early Christian Period and the Latin Middle Ages, we witness the merger of musica, then an abstract academic enterprise, and cantus, or practical music. The volume spans a millennium of writings, ranging from scriptural commentaries by St. Jerome and other fourth-century Church Fathers to an excerpt from Speculum musicae, an extensive fourteenth-century treatise by Jacques of Li?ge. Along the way we read from the works of St. Augustine, Boethius, Hildegard of Bingen, Guido of Arezzo, Franco of Cologne, and a score of others, all in impeccable English translations prepared or revised by James McKinnon.

Author Biography

Leo Treitler, Distinguished Professor of Music at the City University of New York, is the author of Music and the Historical Imagination, as well as other books and articles on music historiography and medieval music.