Sonata Fragments

Romantic Narratives in Chopin, Schumann, and Brahms

By:

Andrew Davis

Format:

Hardback

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Description

In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic.

Author Biography:

Andrew Davis is Dean of the College of the Arts at the University of Houston and author of Il Trittico, Turandot, and Puccini's Late Style (IUP).

Release date NZ

August 21st, 2017

Author

Andrew Davis

Pages

222

Audience

Professional & Vocational

Illustrations

5 Illustrations, black and white; 25 Printed music items

ISBN-13

9780253025333

Product ID

26521145

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