I wanted to call these exercises "Casual Ablutions," in memory of the immortal sign in the washroom of the British Museum, but my arbiter of elegance forbade it. You remember that George Gissing, homeless and penniless on London streets, used to enjoy the lavatory of the Museum Reading Room as a fountain and a shrine. But the flinty hearted trustees, finding him using the wash-stand for bath-tub and laundry, were exceeding wroth, and set up the notice these basins are for casual ablutions only I would like to issue the same warning to the implacable reader: these fugitive pieces, very casual rinsings in the great basin of letters, must not be too bitterly resented, even by their publishers. To borrow O. Henry's joke, they are more demitasso than Tasso. -- Christopher Morley

Author Biography

Christopher Morley (1890 - 1957) was an American journalist, novelist, essayist and poet. He also produced stage productions for a few years and gave college lectures. Morley began writing while still in college. He edited The Haverfordian and contributed articles to that college publication. He provided scripts for and acted in the college's drama program. In Oxford a volume of his poems, The Eighth Sin (1912), was published. After graduating from Oxford, Morley began his literary career at Doubleday, working as publicist and publisher's reader. In 1917 he got his start as an editor for Ladies' Home Journal (1917-1918), then as a newspaper reporter and newspaper columnist in Philadelphia for the Philadelphia Evening Public Ledger. Morley's first novel, Parnassus on Wheels, appeared in 1917. The protagonist, traveling bookseller Roger Mifflin, appeared again in his second novel, The Haunted Bookshop in 1919. In 1920 Morley returned to New York City to write a column (The Bowling Green) for the New York Evening Post. Author of more than 100 novels, books of essays and volumes of poetry, Morley is probably best known for his 1939 novel Kitty Foyle, which was made into an Academy Award-winning movie. Another well-known work is Thunder on the Left (1925).