Schoenberg's Transformation of Musical Language

By:

Ethan Haimo

Format:

Hardback

Series:

Music in the Twentieth Century

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Description

Arnold Schoenberg is widely regarded as one of the most significant and innovative composers of the twentieth century. It is commonly assumed that Schoenberg's music divides into three periods: tonal, atonal, and serial. It is also assumed that Schoenberg's atonal music made a revolutionary break with the past, particularly in terms of harmonic structure. This book challenges both these popular notions. Haimo argues that Schoenberg's 'atonal' music does not constitute a distinct unified period. He demonstrates that much of the music commonly described as 'atonal' did not make a complete break with prior practices, even in the harmonic realm, but instead transformed the past by a series of incremental changes. An important and influential contribution to the field, Haimo's findings help not only to re-evaluate Schoenberg, but also to re-date much of what has been defined as one of the most crucial turning points in music history.

Author Biography:

Ethan Haimo is a theorist and composer, and lectures in the Department of Music, University of Notre Dame.

Release date NZ

November 9th, 2006

Author

Ethan Haimo

Audience

Professional & Vocational

Pages

444

Series

Music in the Twentieth Century

Dimensions

170x244x25

ISBN-13

9780521865425

Product ID

2012878

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