Acollective are a band whose sound takes from the traditional and modern in equal measure within the fabric of their new album Pangaea.

Acollective have constructed a layered progressive-pop album that juxtaposes old and new, just like the city it was conceived in. It's a record that encompasses everything from folk to electronica and to rock; it's not dissimilar to Alt-J, without quite so much of the mystery and intrigue.

With electronics playing a major role in the record’s sound, album opener ‘OTM’ whets the appetite with crackling production, looped vocal samples, ratatatting percussion and layers of synth, punctuated by digital blips and stabs of brass; a cacophony of pop styled progressiveness. Towards the tail end of the album, ‘Had It Once’ again draws from electronic wells, with bass to shake your insides, pop sensibilities and trickles of banjo which offer a sepia toned shade of folk.

Pangea packs into its 40-odd minutes of play time a vast array of nuances, styles, instruments and sounds. Much like the city it has been produced in, there is a sense of development, an ability to explore the far reaches of creativity and just like Tel Aviv it borders the line between tradition and the modern day. The record can, at times, seem a little confused and performs some of its facets noticeably better than others. It excels at its electronic side – music no longer has borders and ‘OTM’ sounds as though it could have been constructed in a London basement rather than on the edge of one of the oldest landscapes on Earth. It also excels on its folk ramblings – ‘Had It Once’, ‘At Least’ and ‘Custom’ trickle along with great aptitude, however, where it falls short is the way it tries to squeeze a few too many dissimilar sounds into the one release. The band are an exciting prospect, but perhaps need to settle, reshuffle and refocus their material into something more direct.